Everything about Moses Shapira totally explained
Moses Wilhelm Shapira (; 1830 –
March 9,
1884) was a
Jerusalem antiquities dealer and purveyor of fake
Biblical artifacts.
Moses Wilhelm Shapira was born in 1830 to
Polish-
Jewish parents in
Kamenets-Podolski, which at the time was part of
Russian-annexed
Poland (in modern-day
Ukraine). Shapira's father emigrated to
Palestine and in 1856, at the age of 25, Moses Shapira followed. His grandfather, who accompanied him, died en route.
In
Jerusalem, Moses Shapira converted to
Anglicanism and in 1861 founded a store devoted to pilgrim trade in Christian Quarter Road. He sold the usual religious tourist paraphernalia and ancient pots he'd acquired from
Arab farmers.
Shapira became interested in biblical artifacts after the appearance of the so-called Moabite Stone, the
Mesha Stele. He witnessed the schism and interest around it and may have had a hand in negotiations between
German,
British and
French representatives. France eventually got the fragments of the original stone.
Shapira proceeded to create many fake
Moabite artifacts – clay figurines, large human heads, clay vessels and erotic pieces, with inscriptions that had been copied from the Mesha Stele. His associate was a
Christian Arab potter
Salim al-Kari.
To modern scholars, the products seem clumsy – inscriptions don't translate to anything legible, for one – but at the time there was little with which to compare them. He even organized an expedition to Moab where he'd his
Bedouin associates bury more forgeries. Some scholars began to base theories on these pieces.
Since German archaeologists hadn't gained possession of the Moabite Stone, they rushed to buy the Shapira Collection before their rivals. The
Berlin Museum bought 1700 artifacts with the cost of 22,000
thalers in 1873. Other private collectors followed suit. One of them was
Horatio Kitchener, a British military officer, who bought eight pieces in his own expense. Shapira was able to move to
Aga Rashid (modern-day
Ticho House), outside Jerusalem city walls with his wife and two daughters.
Still various people, including a French scholar and diplomat
Charles Clermont-Ganneau, had their doubts. Clermont-Ganneau suspected Salim al-Kari, questioned him and found people who supplied him with clay.
He published his findings in
Athenauem newspaper in
London and declared them forgeries, a conclusion with which other scholars concurred (cf.
Emil Friedrich Kautzsch and
A. Socin,
Die Echtheit der moabitischen Altertümer geprüft, 1876). Shapira defended his collection vigorously until his rivals presented more evidence against them. He made Salim al-Kari the scapegoat, played to role of innocent victim, and continued to do a considerable trade especially in
Hebrew manuscripts from
Yemen.
In 1883 Shapira presented what is now known as the
Shapira Strips, fragments of supposedly ancient parchment he claimed to have found near the
Dead Sea. Their inscriptions of ancient
Semitic script hinted at a different version of the
Ten Commandments and
Deuteronomy. Shapira sought to sell them to the British Museum for a million
pounds, and allowed them to exhibit two of the 15 strips. The exhibition was attended by thousands.
However,
Clermont-Ganneau also attended the exhibition; Shapira had denied him access to the other 13 strips. After close examination, Clermont-Ganneau declared them to be forgeries. Soon afterwards British biblical scholar
Christian David Ginsburg came to the same conclusion. Later Clermont-Ganneau showed that the parchment of the Deuteronomy scroll was cut out of a genuine
Yemenite scroll that Shapira had also sold to the museum.
Shapira left London and wandered around Europe for months. He shot himself to death in
Hotel Bloemendaal in
Rotterdam on
March 9,
1884.
The Shapira Scrolls disappeared and then reappeared a couple of years later in a
Sotheby's auction, where they were sold for 10
guineas. In 1887 they were probably destroyed in a fire at the house of the final owner, Sir
Charles Nicholson. Shapira fakes still exist in museums and private collections around the world but are rarely displayed.
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